Martin Robertson

Now and Then

Concordance

This concordance provides an index to every word in the poems, excluding a list of common "stopwords".  It may be useful in finding a half-remembered poem, and perhaps in looking at the usage of words in the poems as a whole.  It will be readable only on a large screen.

J

But who serves whom?…  Well, there’s the
jackpot question:  / / Will Caesar die in God or God in Caesar?  / /
George
Jackson / George Jackson tried to break jail / / —a few friends (brot
George Jackson / George
Jackson tried to break jail / / —a few friends (brothers)—gun and kni
few men killed.  The break failed.  / /
Jackson was down too, killed.  / / He’d been in jail half his life.  /
ted in shifting foam, crowned with thin
jade , / / broke down to island-rocks.  One took the shape, / / he tho
he second and the third return / / our
jaded souls respond more slowly / / and in the general hurly-burly /
Jackson / George Jackson tried to break
jail / / —a few friends (brothers)—gun and knife— / / a few men kill
was down too, killed.  / / He’d been in
jail half his life.  / / Ghetto-bred, then cop-picked, / / what hope
man / / can create his own star.  / /
Jailbird , killer?… martyr-saint?  / / Just such fatal polarities, / /
long debt to America is paid; / / both
James Joyce and Virginia Woolf know how / / thought weaves in words i
lads they wed, / / but for me, pretty
Janet , the sick man on his bed.  / / I sit by him and chatter—not a wo
Naples / St. 
Januarius’s blood / / froths cold in its gold-mounted phial.  / / In
eously undone, / / take these bombs to
Japan .”  / / We have our orders, and our keep and pay.  / / A man must
Exchange / after a
Japanese manner / As it rained all day / / all night the rain is fall
/ Who happy kiss within / / to passers
jealous , cold, / / cast on the blind the silhouette of sin.  / /
ll; / / even the tongue-tied struggler
jealous guards / / his refuge of unspoken words.  / / It takes long p
rs: / / the baby brother she first was
jealous of, / / but they were knitted together in lasting love / / b
cious range of human ill / / by my own
jealousies and near-despair.  / /
t then?  / / What indeed but envy, / /
jealousy ?  / /
free / / (as far as love allows) from
jealousy , / / his meanest avatar.  / / Love keep you kind to others a
dark, / / while the embodiment of his
jealousy , / / the bright saviour whom he must love and hate, / / wou
not venture from.  / / Feeling his neck
jerk on the tautened rope / / he turned again.  Descending, to dree ou
not air, which are not sea) / / a gull
jerks its oil-bound strength about, / / that way, this way, no way ou
d long ago: / / one from the garden at
Jesmond Hill / / (not, as it sounds, in Newcastle / / but above Pang
The Two Ways /
Jesus , digesting the meal Martha served, / / pronounced that Mary’s w
all need mercy, so go pray.  / / Prince
Jesus , Master of everything, / / do not deliver us to Hell’s king /
re streaked / / with red-brown smears. 
Jesus , what people!”  / / Unhappy women / / caught from their open wo
the planet Mercury?”  / / I was tired,
jet -lagged, half dreaming.  Is it a dream?  / / I turned and saw a litt
sink that searching gaze) / / stinking
jetsam lies.  / / Here.  Now.  No escape.  / /
ample me then, / / foul me if you’re a
Jew , / / but if you’re of my own blood / / let me speak with you.”  /
it.  / / Barbarian or Greek, Gentile or
Jew , it / / comes to the same.  Free? we are all bond still / / and,
erd the beasts in Belsen.  Stamp out the
Jew , / / man, woman, child.  (The dying can be made / / to stack and
ht from an icy stream, / / a dark bush
jewelled with flowers and butterflies / / shook him with beauty—or th
ll thoughts lying there / / to shining
jewels .  But when / / I pick them out to send to you / / they dry in
d / / within our sense / / behind the
jewels of Andromeda.  / / Andromeda, who naked / / chained on a sea-r
/ Naked under brutal lamps, / / fine
Jewish features suffering-sunk / / down on the collarbone, hangs / /
ly for being other (those blacks, those
Jews ).  / / Then there are terrorists… but terrorism’s / / different,
at was long ago, / / long before naked
Jews / / were herded into gas.  / / And that is past too.  / / World
Hymn / for the wedding of Dominick and
Jo / Through untimed fields of childhood the shadows and light / / st
Joan of Arc / What did the flame force from the flesh?  / / Agony and
Against Pedestals / for
Jody / Our idols fall.  Not that their feet are clay / / —their feet a
he last time this intercalary date / /
joggled the calendar / / Cecil was still here, / / breathing the air
John Ruskin’s Wedding Night / Quick to beauty more than is common / /
nnel from the other side / / opened to
join his own, and he was through.  / / Beyond an empty space a castle-
asons, though, link in no ring / / but
join two points as Time disposes.  / / The lines recur, the poem close
Suddenly the firm stance / / falters,
joined banks are sundered anew.  / / But dance, dance on the jutting s
found his markets grow.  / / Friendship
joined hands there.  And the singular glow / / of lovers’ meeting was
to her.”  I felt my legs obey, / / and
joined her by the pedestal alone.  / / “You came towards me sad,” she
of my language / / and Homer and Dante
joined him as peers.  / / But now the net’s cast in other waters / /
ld him which.  Below, close by, / / the
joined streams formed a rock-pool, deep and spread.  / / He shivered,
/ / the moon’s dark circle / / which
joins her crescent-tips.  / / Then we notice / / how far, while we we
o listen to music / The music parts and
joins , parts / / like strands of hair under a comb, / / like current
This Time / Worse than out of
joint .  / / Perhaps lemming-men / / have reached the madness point, /
/ (no trace of that remained); / / two
jointed dolls of clay; / / likewise of fired clay, half a dozen crock
small / / it couldn’t be remembered),
joke in a queue / / (a shared short laugh)—anything will do / / that
Misunderstandings?  / / That New Yorker
joke :  “My wife / / does understand me.”  / / I failed you living / /
thinking of?  / / Would even you make a
joke of me now, dirty creature?  / / Strew them on, and say “These are
/ Faster, faster, to keep up with the
Joneses , / / with our father’s ghost, with the Enemy Over There, / /
s flowers, birds in the garden—made her
journal / / a sampler that does not fade.  / /
s of Cahuzac / from Eugénie de Guérin’s
Journal / The girl came into the church / / from changing light, / /
give Tom Moore / / for burning Byron’s
journal —yet in the end / / admit that he destroyed it as Byron’s frie
the gathered swallows joy of their far
journey / / and ourselves prepare / / for winter coming, as they /
laid / / was his and nothing.  Now he’d
journey far / / and make himself a life, but not a new / / heart-lif
/ / In car, bus, train I / / want the
journey not to end / / even when the end / / is wanted.  I didn’t, I
/ / if you’ve the courage for the land-
journey .”  / / She stroked his hair, his head laid on her knee.  / / “
raid, afraid went back, / / a dreadful
journey , sick and almost mad, / / across the dreadful mountains to hi
flat edge of flat land / / a young man
journeying .  A sense of loss, / / pain deeply felt.  And yet, this was
n / / felt pain crown her initiation’s
joy , / / an old forester whom a wheel had crushed / / died.  Eighty y
fall.  / / Time’s spiral course through
joy and grief / / exacts and justifies it all.  / / This riven world
I had, / / but now with inexpressible
joy and pain / / from eyes and ears memorial shadows fade / / in the
h and rain / / and playfully allot our
joy and pain.  / / Life between earth below and sky above / / is work
eams with a friend / / who’d share his
joy and pain, who’d lead, or rather / / more often be led through the
’s beginning, / / one in time—pain and
joy are one in love”?  / /
Joy / Ask no surety of this flawless morning / / for noon or afternoo
e…  The doubt spread to eclipse / / the
joy .  But no.  The fairy’s word was bond, / / should he love out his li
/ hearing, her life with others fed his
joy .  / / But unhoped chance soon made him one with those: / / the pr
/ Sex lends her delight / / to every
joy , her stress / / to all our wickedness, / / yet’s as much taker q
shared natural pace, / / and so shared
joy is a shared peace, / / a home.  / / It had to end / / but, lived
your heart.  / / A pang that’s like the
joy / / of being together, / / its double, its true counterpart.  /
n’s rim.  / / But often mind forgot the
joy of eyes.  / / Valley, col, valley formed his zigzag way / / by st
hollow failure of the heart.  / / Your
joy of life, your shining / / feeling that everything / / is possibl
shared.  / / Wish the gathered swallows
joy of their far journey / / and ourselves prepare / / for winter co
his heart was flooded with unreasoning
joy .  / / The age of time between, life and death, died / / into a ha
ith strife / / but those who take with
joy the love of Zeus / / should scarce expect affection from his wife
of waves regathering slow / / —so much
joy to be seen; / / but the idle spiteful soul sits on the beach, /
w?  He will not, certainly.  / / My only
joy to know I shall be he’— / / or might be he…  The doubt spread to e
Brunetto Latini under the Fire-Rain / “
Joy we denied,” / / they mutter in the mud, “out there / / in the sw
any of me will last, to grieve / / and
joy with those I love and leave.  / / And any other way of living on /
ebt to America is paid; / / both James
Joyce and Virginia Woolf know how / / thought weaves in words its ine
, / / let us never lose touch with the
joys and the pains / / of this deeper existence we know, at whose hea
he badger, yield some insolent stag her
joys .  / / It was October.  Work was traversing / / the forest, markin
immering shadows / / to the griefs and
joys / / of life in the flat fields / / under the sky’s breadth / /
trip with us.  / / We know the spell of
joys that last, / / dreams which dissolve Time’s tyrannous / / one-w
/ away, follow your will.  / / To what
joys will it lead?  / / Dancers on the green / / have followed the fa
and the Duchess of Malfi, / / Byron’s
Juan and Marlowe’s Faustus.  / / And gradually, a peak behind hills /
uble wall of smoke, / / to know fully,
judge fairly another heart / / is more than hard.  / / One land, one
Change Places…  / The
Judge was very kind.  He called her up / / to sit beside him for her e
ing cups of light.  / / Despair / / is
judged by some / / the lowest sin.  And they are right.  / /
ldered heart / / the instincts (as she
judged them) of a tart, / / a craving to be had by… well, you’ve gues
Judgement / In this matter of innocence and guilt / / we can’t win.  W
e scalepan fall.  / / To stand before a
judgement -seat / / and hear just what / / the things we’ve done, the
the highest throne / / (or both these
judgements are untrue) / / this Martin Luther, dead and gone, / / al
t instance do we lay our plea: / / our
judges of appeal are Love and Truth / / whose jurisdiction is eternit
reckoning, / / God more readily then,
judging , / / shall pity you.  We stuffed our skin / / —it hangs in ra
Epithalamium / Stephen and
Judith / Love you have.  May he stay / / with you all the way, / / th
Man in Nature / for
Judith Wright / Nature is much to wreck, but man can do it— / / his g
ugh block / / were cheese and bread, a
jug of water.  Down / / in one corner he saw a few hides spread.  / /
/ drown in angry blood.  / / Romeo and
Juliet , / / Leila and Majnun, / / loving children / / cheated by a
either / / (or death) as an unordered
jumble of things.  / / The fire, brutally quenched, was still a fire /
n / / travel, and watch again Nijinsky
jump .  / / But the gay twenties got a dusty answer: / / with fear sou
coming in.  / / So did the child, / /
jumped from his seat and ran / / straight for the line.  / / I could
ong.  / / A bright-haired girl laughing
jumped out: “good-bye, / / thanks,” and fled.  Waited at the back the
him, smiled / / over him at a man / /
jumping up from the seat.  / / Scolding the mother ran / / up.  I smil
acrobatic flawless flight.  / / A fish
jumps at the corner of my eye, / / back into black unglimpsed / / as
he sees lives.  A flat illustration / /
jumps off the page— / / the rider reins his galloping horse towards h
g, / / where the cleeve widened to the
junction of / / two larger valleys.  Wind from distant snow / / struc
Epoch / Right we should leave in
June , / / the hedges lit with roses.  / / The years of the rose are d
om is white, / / and this first day of
June / / warm air, / / soft sun / / take over.  And I come / / sudd
/ sometime, might a tolerable month be
June ? / / —with the rose light in the hedges to lift or droop / / ov
he formal garden / / found itself as a
jungle .  / / Round her the house grew old / / slowly, quietly rotting
g Kea / Syros to Naxos / Occultation of
Jupiter / (Naxos harbour, 12 September, 1983) / Statue at Apollona, Na
months ago above an Aegean harbour / /
Jupiter occulted.  And above the huge Pacific / / Mercury last night. 
t moon, / / and just beside her bright
Jupiter .  / / We watch them move / / slowly, inevitably, steadily /
of appeal are Love and Truth / / whose
jurisdiction is eternity.  / /
till, and those who fall defending / /
justice , seem equally guilty of the strife / / with gangsters and wit
is just what he seems, / / is just, is
Justice , to unrighteousness / / a scourge, to injured innocence aid. 
e through joy and grief / / exacts and
justifies it all.  / / This riven world in which we live / / one mome
turning light whose kindness veils / /
jut and furrow, restoring innocence, / / restoring youth.  / / Innoce
sky are spread / / patterns of twigs,
jutting from narrowing branches, / / from stout, straight trunks—the
Sea Cliff / A
jutting stone / / yields, is gone / / down into air / / But foot is
ould we do / / but dance, dance on the
jutting stump, dance?  / /
ered anew.  / / But dance, dance on the
jutting stump, dance.  / / Along the paved and parapeted track / / fo
then, who / / but dance, dance on the
jutting stump, dance.”  / / Prince of Lies, no.  The dark aspect is tru
otten, few / / but dance, dance on the
jutting stump, dance.  / / “Why do you paint the past so rosy?  Wrack /