For many years, Martin corresponded with the Australian poet Judith Wright (1915-2000). Some of this correspondence is held in a Judith Wright archive in the National Library of Australia.
All summer the leaves grow dense, the water-lilies
push up arrowhead after arrowhead,
burst into smoke-blue, hit the central gold,
and then retract themselves into bulb and mud.
Coming round the world, another season begins.
Martin, we have been writing to each other
for years, telling joys, griefs, happenings,
family gossip. Lives don’t fit into letters
over one-half of the world. But talking over that space
we’ve been — what was it Plato said? —
happy companions in our pilgrimage.
You are English, Norman, Greek.
I battle that heritage
for room in another country, want to speak
some quite new dialect, never can;
it grows from my roots, it is my foliage.
Any time I flower, it’s in the English language.
When all the living’s done
it’s poems that remain.
All that is personal, said Yeats,
soon rots
unless packed in ice and salt.
Poems can chill, shock,
Stop you cold in your tracks,
functional as an axe.
But, too,
are a centring blaze in the field,
a sudden positive shape
sprung from the crowding leaves.
Reading your letters’ news
I'd come on a poem. I felt
through the foliage of our lives
(and more than once is luck for any poet)
the arrow sprung to the target,
the shaft trembling in the central gold.